![show audio waveforms in premiere cc show audio waveforms in premiere cc](https://visihow.com/images/f/f2/Show_Audio_Wave_Form_In_Premiere.mp4-canvas11_861594.jpg)
The Source media destination only obeys the Source patch just as it should. Patching Source media into a track is finally easy with the drag of the mouse or the tap of a few keyboard keys. Solo and mute buttons have moved from the track mixer into the timeline where they should be. With everything turned on the audio tracks come a bit convoluted but you can put in only as much or as little as you would like. With all the track patch panel options off it makes for a very clean, minimal patch panel. The PPro timeline track patching panel has always been a real mess but with CC the headings can be minimized to show virtually nothing up to way too much. Customizability is important to CC and you can see that all around the Source / Record monitors down to the much cleaner timeline.īutton customization in the interface is important but it would be nice to have more options for what can be put under a monitor. Most all of the knobs, dials, buttons and dead spaces have finally been eliminated to streamline the tool into something that feels good to spend many hours working in. One of the most important things about any NLE is the interface and PPro CC seems to complete an interface makeover that began a few versions ago. And while this is a long review a tool that’s as feature rich and in-depth as an NLE like PPro can never be completely covered feature-for-feature in a several thousand word review. There’s also some things that were fixed and/or modified before the CC release and those are discussed as well. There’s some long-standing issues still present in PPro CC and those are discussed.
Show audio waveforms in premiere cc update#
While it’s hard to review a big update like the CC update without discussing new features (and features that are still missing) I tried to approached this review so that someone who is new to Adobe Premiere Pro could appreciate it as well. What follows is not a CC new features review. So much of the Creative Cloud toolset I will never ever ever never use. Though I will say I do wish there was a video tools only option that was a bit cheaper. That’s not what this article is about so you’ll have to look elsewhere for that debate. It’s hard to talk about PPro CC without talking about Adobe Creative Cloud subscription service and the fact you can no longer pay one lump sum for a specific Adobe suite of tools. I’m happy to report that with Adobe Premiere Pro CC the tool really has arrived. The Adobe Premiere Pro team has been asking questions, listening to editors and improving their product with release after release pretty much ever since CS4 came along. If you follow what has been going on in the world of non-linear editing tools for the past few years you know that Adobe has been working very hard to make Premiere Pro a viable option for every aspect of editorial and post-production.